Sir John Soane

Developed under licence from Sir John Soane’s Museum, this collection is inspired
 by the individual style of Sir John Soane, one of the most influential and original of all English architects.

Sir John Soane's Museum

Soane was an avid collector of artefacts and works of art, many of which were obtained on his Grand Tour and displayed in his home, which he left to the country on his death in 1837. The house at Lincoln’s Inn Fields in London, together with buildings like the Bank of England and Dulwich Picture Gallery, is Soane’s legacy; it is one of London’s most popular museums and continues to inspire new generations of designers and architects.

Gainsborough’s craftsmanship and technical weaving expertise allow Soane’s style to reach beyond the unique museum that bears his name. Colour was an extremely important element in the creation of interiors for Soane and was central to the development of this collection, with shades carefully colour-matched to those in the museum. Key colours include Pompeian Red, derived from wall plaster Soane found at Pompeii, Turner Yellow, and Porphyry Brown, coloured to imitate porphyry, a material only rediscovered in Egypt during Soane’s lifetime.

‘Sir John Soane’s Museum’ is the registered trade mark of the Sir John Soane’s Museum.

The Soane Damask

516


Flat image The Soane Damask Damask Green 516/11281

The Soane Damask: Damask Green

516/11281

Shuttle loom original

The Soane Damask: Damask Green

516/11281

£ Price available on sign in
  • Composition29% Silk / 71% Cotton
  • Pattern repeatHorizontal 31.7cm / Vertical 45.0cm
  • Pattern repeats / width4 x
  • Minimum order1 metre
  • UseCurtains, Walling
  • Fabric width127cm
  • Collection(s)Sir John Soane
  • StyleItalianate
  • PeriodEighteenth Century

The Soane Damask is an archive design that closely resembles the original wall covering in the museum’s Library and the lining in its bookcases. In the original vivid green colouring, this fabric is woven in the traditional way on a punch card operated 1930s Hattersley Jacquard loom and combines a silk organzine warp with a thick cotton weft. It is also shown in the John Soane’s Library design.

Colours (1)